Houston We Have a Problem

It’s hard to believe that it’s been two weeks since traveling to Pedro’s Tempting Fate* movie première and my (his) so called fairy tale moment that I last wrote about. I’m back to reality in Seattle—integrating what feels like another major milestone and its emotions into my life. Pedro is back in Madrid celebrating his milestone with family and friends while preparing for the annual family holiday period on Mallorca—a place I got to experience myself last summer at this time.

However for 3.5 days in Houston I had the honor of watching the dreams of Pedro González Arbona come true—American style. Since I know friends and family are waiting to hear about the experience, I’m sharing it here without further delay. Please humor me as this is not my typical post, and is longer than usual.

Tempting Fate Cast & Crew

The cast & crew of ‘Tempting Fate’, produced by KevStel Group, at the Houston premiere, July 4, 2014.

Let me start by saying that while the evening and the weekend was a big success and we had a fantastic time, there were also many challenges that we had to face—separately and together. But like most dreams, there is a fair amount of work and determination involved to achieve them.

Destination Houston, U.S.A.

Getting Pedro to Houston was no small feat. For months we had been anticipating the Tempting Fate VIP private screening. Since Pedro was coming from such a long distance of 5,000 miles, the producer tried to get his flight sponsored by an airline. When that didn’t pan out, I lent my support by contacting people I knew in the travel industry. Unfortunately, none of that materialized into a ticket for Pedro either. He eventually got the funds on his own.

When it came time to purchase my tickets, I deliberately chose a flight that would arrive shortly before Pedro’s. I wanted to be at the gate upon his arrival and take photos as he departed the plane—to play the role of his paparazzi, an ongoing joke between us. Besides how often do you get the chance to actually meet someone at the airport gate anymore (post 9-11)?

Hurricane Arthur trackingAs I boarded my flight in Seattle, I knew Pedro was on the ground in Philadelphia waiting for his connecting flight to Houston. His flight was going to be slightly delayed. No worries, I thought—that just gives me some time to catch up on my writing.

When I landed in Houston and turned on my cell phone, my heart sank at the news that awaited me. His flight was cancelled due to hurricane Arthur; the airlines had put him up in a hotel, and he would arrive at 2 PM the next day—a mere four hours before the movie premiere. I was disappointed and deflated.

Navigating Houston on my Own

As I finally headed toward the baggage carousel at George Bush Intercontinental Airport, I was reminded of my travels from Mallorca to Barajas (Madrid) Airport last summer. I was expecting to be met by a mutual friend in Spain to help me with my luggage and checking in for the American leg of my flights home. He was a no show, and I was alone, just like I was now.

Houston mapOn this trip, I had been looking forward to Pedro’s help navigating through Houston to our hotel 40 miles away in Sugar Land, Texas. As I left the baggage claim area and walked out into the night air, I was hit with more reminders of Spain. The late night heat in Houston was thick with humidity and made my clothes stick to my skin. Then, even with the aid of a GPS, I was frustrated and lost within minutes of leaving the airport in my rental car.

Grounded Planes, But Spirits High

That night my sleep was interrupted multiple times with ‘pings’ from international text messages by Pedro’s parents and eventually from Pedro as well. When I went to bed the night before, I was ignorant to the havoc that hurricane Arthur was making along the East Coast.

I didn’t realize that the entire Philadelphia airport was closed down!

Within minutes of communicating with Pedro that morning, my adrenaline kicked into overdrive and I got out of bed to start researching flight activity at Philadelphia International Airport.

“What if they cancel my flight again and I’m too late for the premiere?” he asked me. “Pray everything is solved.”

“Of course,” I said trying to reassure him and calm his nerves. I was already multi-tasking in my mind, praying while texting him, and looking online for flight updates.

Flights were back on schedule at Philadelphia International Airport.

Flights were back on schedule at Philadelphia International Airport.

“Thank you, Lord for your mercy and your ways. Help us to lean on you and see you in the midst of our challenges. Give us peace. Clear the skies, literally, part the weather, and bring Pedro to Houston safely.”

“Amen,” he texted back.

Surprise Me God!

As soon as Pedro ended the chat, I was on my knees praying. “Surprise me God” has been a recurring prayer request lately as I let go of my expectations and give God greater freedom to work His ways and His will in my life. In the midst of the challenges we were facing, God managed to surprise us over and over again.

prayerTap, tap, tap was the noise I heard on the door, interrupting my prayers. It was Pedro’s producer. Wouldn’t you know it that for our first meeting I was in the hotel hallway in my robe and pajamas! Ok, that was a funny surprise God! But work was to be done.

For months Pedro and I waited for confirmation on whether he’d be able to perform at the premiere. His producer explained that the event planner was still trying to secure a keyboard for the event. That was another God-sized surprise, but no expectations on my part. After all, it was the 4th of July! How were they going to rent a keyboard on a holiday?

“Surprise me God! And Lord, while you’re at it, just get Pedro here safely and on time for the premiere.”

Our Airport Reunion

Saying that Texas is BIG is an understatement—likewise for the Houston airport. As luck would have it, I got lost at the airport trying to pick Pedro up. Although he didn’t check any luggage, we were to meet at the baggage claim area for his flight. What I didn’t know is that Houston has a baggage claim area for each terminal.

No broken bones, just a bruised ego.

No broken bones, just a bruised ego.

Under normal circumstances it would’ve been comical, but not when time was so limited. I rushed through the airport tram system between terminals to find Pedro, falling and twisting my foot in the process. In pain, and almost in tears, all I could think and selfishly pray was “please let me be able to walk the red carpet with Pedro and wear my new high-heeled shoes tonight!”

Meeting Pedro at the airport was a surreal moment for me. It had been almost a year since we last saw each other—saying farewell at the Palma Airport on Mallorca. And now through a twist of fate and the Lord’s favor, here we both were in a distant location thousands of miles from home. I almost didn’t recognize him. But when I heard him call my name, I followed the sound of his voice to catch a glimpse of him smiling near the baggage carousel.

After the standard European cheek kiss, now my routine greeting with my American friends as well, we rushed through the airport, tram system and all, (I hobbled), labored over finding the car in the parking garage labyrinth, and collapsed in the car. But before we drove away, we pulled his suit out of his luggage so the creases could fall out. There was no hope for his shirt though—ironing that would be my first job back at the hotel.

Arriving Houston

The composer and his paparazzi, I mean manager, finally reunited on American soil.

No More Problems in Houston

As we settled into our familiar conversations about life and our travels, Pedro texted his producer that he arrived and we were on our way to the hotel. His reply was the icing on the cake of God’s surprises for the day.  The keyboard was en route to the theater.  We just had to be there early for a sound check and for Pedro to get acquainted with the keyboard.

It would be a tight schedule for us, but none of that mattered. We’d be there; we’d be on time; and Pedro would perform—one of his greatest desires for the event.

Pedro toiled on the Tempting Fate soundtrack for nine months. We both faced many challenges in getting to the Houston premiere. Over the last few months, the famous line uttered by Astronaut Jim Lovell of Apollo 13 (portrayed by Tom Hanks in the movie), “Houston we have a problem,” seemed to be a recurring and somewhat comical theme; but no more.

As I rushed to dress for this Cinderella event, I marveled how we overcame each obstacle to get to this point in Pedro’s musical career. I was not going to let any more problems in Houston dampen his night. Even the pain and swelling in my foot was going to have to take a backseat to the joy in my heart. God was faithful and surprised us at each step along the way. We persevered!

Let perseverance finish its work so that you may be mature and complete, not lacking anything. (James 1:4, NIV)

Stay tuned for my next post about Pedro’s musical pursuits to hear about the Tempting Fate red carpet event, the movie screening, and Pedro’s performance.

*Wondering where you can see this movie for yourself?  Tempting Fate was produced by KevStel Group, an independent production company based in Atlanta.  They are seeking distributors for release in 2015.

Update 2/12/2015: The Tempting Fate soundtrack has been released and the movie premieres across Nigeria and Ghana in July 2015.

Fairy Tales do Come True

I’m going to the ball!!! I’ve dreamed of this day for a long time. It’s not the fairy tale type of ball or romantic fairy tale type of dream. It’s the dream of seeing Pedro’s music come to life on the big screen. More than that, it is the night of his first movie premiere in America. I’ve been there in my mind many times since I first took Pedro González Arbona into the recording studio three years ago.

cinderella ball gownA Cinderella Moment?

None of this has been easy for me—my role in Pedro’s life—from 5,300 miles across the globe. It started as friendship with an exchange student in my home, moved to a deep bond with his mother, and eventually led to producing his first CD and putting it for sale online. From that point on he has considered me his manager.

I’m not going to spend time rehashing the details of the history between us or Pedro’s musical career to this point. You can find that elsewhere on my site. What I will share is that today, July 4th, 2014, Pedro’s first full-feature film, Tempting Fate, with his accompanying soundtrack will be viewed at a private VIP screening in Houston, TX. There is no place I’d rather be tonight, alongside Pedro. It doesn’t even matter if I was his manager or not. I would still be there.

To me, that’s my Cinderella moment. No, I’m not meeting my Prince Charming (but beware young women, he is a Spanish charmer). And there won’t be dancing, although there is an after-party planned at a Houston nightclub.

Tempting Fate VIP Screening

For one night I will walk down the red carpet. I will wear something glitzy. I will meet the actors, the producers, and the press. (I’ll be sure to write about it and take lots of photos like the press too.) I will take it all in and show up in whatever capacity Pedro needs.

Believing in our Dreams

I can’t read music and have never played an instrument. However, I know how Pedro’s music captures and enhances the movie experience. I experienced it even before he started synchronizing his music to movies. I’ve also gotten glimpses from afar as his music has grown over the last few years.

One day last summer while in Madrid, he walked me through the composing and orchestration process. I was intrigued and blown away by his talent. I’ve gathered a plethora of information to write about his music, his life, and his journey to this major milestone in his life. Yet only a fraction of that has been published online. In time, God will reveal to me how, when, and where I’m to use it.

dreams_come_true_by_ebiisan-d4lwws3_largeSo today, while I had hoped to write a piece to promote his movie, I’m left with a post that expresses my desire for Pedro’s dreams to become a reality. As his benefactor, I’ve supported it, prayed for it, and believed in it from the start. Tonight I’ll get a front row seat to watching it unfold.

Fairy Tales do Come True

Where would we be if we didn’t dream? Where would we be if others didn’t foster or believe in our dreams and our potential? Where would the producer/director, cast members and behind the scenes crew of Tempting Fate be if they didn’t follow their dreams and share the vision to create this film? For me personally, I know I wouldn’t be in Houston today awaiting Pedro’s arrival from Madrid.

If I didn’t have others who believed in my dreams and encouraged me these past few years, I wouldn’t be a published author or have followed my mid-life writing dreams. Now I have paid forward that investment into Pedro and his dreams. It has given me new dreams as well, and opened my eyes to new possibilities.

thULDRAC39As a middle-aged woman who had her fairy tale wedding over thirty years ago, today will be the closest thing I’ll probably get to a fairy tale event again this side of heaven. I’ve got my fingers and toes crossed. I’m sending prayers upward that this faith-based movie, the message, and the music will be positively received and reviewed by the media, and distribution secured for viewing across America.

Oh, gotta run.  I’m also Pedro’s chauffeur.  I have to get his carriage to the airport on time.  I’m delivering one very special package to the theater tonight.

Because sometimes fairy tales do come true…it can happen to you.

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Update 7/7/2014: The premiere was a wonderful success.  Pedro’s music received much praise.  He has a bright future in the film industry.  Time to get back to reality and support him from 5,300 miles across the world.

On the red carpet with Pedro at the premiere of "Tempting Fate".

On the red carpet with Pedro at the premiere of “Tempting Fate”.

Lights, Camera, Action, Part 3 ~ Creating a Movie Soundtrack

Here I sit late night typing away on my laptop rushing to write a post of great significance with the current goings-on in my life.  I am listening to some beautiful music to help put me in the mood to write.  I know it will because in one month, this music will be larger than life on the big screen.  And that is what this post is about…

I’ve dreamed of that day for the last several years, ever since I took my Spanish son into a recording studio and produced his first CD.  July 4, 2014 is the day when the music of Pedro González Arbona, the musical protégé whose career I help manage, will fill the theater as it accompanies his first full-feature American film, Tempting Fate.   I feel blessed beyond words to join Pedro in Houston, Texas for the private VIP screening of the movie.

Tempting Fate VIP Screening FB Cover

The Early Stages

Pedro signed the contract with KevStel Group, an Atlanta-based production company, for Tempting Fate while I was staying with his family last summer in Spain.  Within days we were on holiday on Mallorca, an island off the southern coast of Spain, without access to a piano.

We both read the script while on holiday.  I sat poolside one day and read the page-turning script in one sitting.  Tears welled up at the corner of my eyes as I read through the last scene.  I could already see the music that Pedro would create for the poignant movie finale.  It was perfect for him and his music.

That script was all Pedro needed to start composing in his head and making notes in the margins on what kind of music to add to a scene.  And he was on his way to scoring the soundtrack.

Pedro at work in his studio.

Pedro at work in his studio.

The Music Comes to Life

Over the next several months, Pedro worked remotely composing and orchestrating the soundtrack from his studio while the filming was done in Hollywood.  After the film was done, he worked his magic to synchronize the music to the scenes—editing, revising, and composing on the fly to make the music work in tandem with the movie.

One of the most exciting parts of the process for Pedro was to be in the studio with the musicians who were hired to record the music—a pianist, violinist, percussionist, and guitarist.  An American soprano was hired to sing as well.

Throughout the filming and post-production stages, Pedro’s music started to trickle out onto the internet.  KevStel used his music for various promotional videos, as background music on their website (with the soprano), and finally, on the Tempting Fate movie trailer, released March 28, 2014.  I waited and watched in eager anticipation all along the way.

 

Post-Production Plans

When the conversations turned to the release of the movie a few months ago, we both had much anticipation for how or if we would be able to attend the pre-release screenings.  He was of course invited, but travel from Madrid would be costly.  After much back and forth planning and juggling, we both committed, and a few days ago finally secured our travel to Houston.

Tempting Fate Movie PosterAs the countdown calendar on the right sidebar of my site turns from months to days, we have turned our attention to rolling out a new website, registering a new domain name, and creating other promotional materials to coincide with the release of the film.  The Tempting Fate soundtrack CD will be available in the coming months—and you’ll be able to enjoy it like I have as I wrote this piece.

Finally, the main purpose of the screening is for media exposure and to line up distributors for the film.  You can help with that by creating a positive buzz about the movie and the music through your regular social media channels.  So please ‘like’ the Tempting Fate Facebook page (over 10,000 likes already) and share the movie trailer (almost 20,000 views so far) with your friends (or share this post).

Let the Fireworks Begin

Over the course of this movie project, my role was very minimal.  Pedro would occasionally send me a song and gave me updates on the film’s progress.  I learned a great deal from him about the process.  I basically served as an encourager and #1 American fan of his music—as I have from the start.  I think my biggest contribution was to pray for him, his music, and the success of the movie.

It is definitely an exciting time for Pedro and his music career.  I’m incredibly grateful that I get a front row seat (maybe literally) to watch all of this unfold.  I know there is no place else I’d rather be on July 4, 2014, than alongside Pedro as his music hits the big American screen.

IMG_8399

While everyone else in America is outside watching the fireworks, we’ll be inside this Houston theater experiencing our own private fireworks display across the screen.  I think this day will be an Independence Day celebration we will never forget!

This post is listed on Christian Mommy Blogger/Fellowship Fridays and Missional Women/Faith Filled Friday.

Lights, Camera, Action, Part 2 ~ Always Together Film Premiere

It’s been a few months since I last wrote about the budding music career of my protégé, Pedro González Arbona.  That last post, Lights, Camera, Action,  Part 1 ~ Making Music in Spain, was about my music collaboration with Pedro while in Spain last summer.  Part 2 of this series highlights Pedro’s experience at his first short film premiere, for Always Together, last December.

Pedro's first short film collaboration with Chani.

Pedro’s first short film collaboration
with Chani Bas.

Pedro’s First Film Contacts

It was in February 2013 when I got the fortuitous email from Pedro announcing that a famous Spanish film producer was interested in hiring him to compose for a movie.  Although Pedro was not hired for that particular project, the producer was interested in his work.  That first interview aligned Pedro with other contacts in the Spanish film industry and launched his film composing career.

Pedro’s first short film, A Thirst for Love, premiered in Madrid while I was in Spain last summer.  Unfortunately we were on holiday in Southern Spain at the time and couldn’t attend.

Pedro's second short film collation with Chani Bas.

Pedro’s second short film collaboration
with Chani Bas.

Pre-Premiere Planning

So last December there was much anticipation and excitement for attending Pedro’s first movie premiere.  Of course, I could not attend as I was back home in the States.  That didn’t stop me from spreading the word though.

While I was living in Spain last summer, I met Pedro’s director and friend, Chani Bas.  I continued my contact with Chani after leaving Spain, and in lieu of my own attendance at the premiere, asked him for invitations for some of my personal Spanish contacts.  But there was one catch—it was to be a surprise for Pedro.

I invited friends that I met at the Protestant church I attended one day in Madrid.  I also invited a few Spanish bloggers I met online since my return to the States.  The bloggers couldn’t make it, but thankfully my Spanish friends could.

Pedro and his family at the Always Together premiere.

Pedro and his family at the Always Together premiere.

The Premiere

Although I wasn’t at the premiere, I had a virtual front row seat as I heard about it firsthand from Pedro, through Whatsapp (international messaging) on the day of the event, Skype calls afterward with Chani and Pedro, and emails from my other friends.  I so appreciate their including me in the event from 5,300 miles away.  This allows me to share it with my friends, family, and readers as well.

When I awoke on the morning of the premiere that Saturday in December, Pedro was just getting ready for the evening event at the Artistic Metropol Theater in Madrid.  (Madrid is nine hours ahead of PST.)  When Pedro and his family arrived, there was a long line of guests outside waiting to get in.  Inside the excitement was building with a standing room only crowd of several hundred people.

Chani Bas, director of Always Together, who is also a talented magician, performed a short magic act, with two other magicians to commence the event.  Chani made some initial comments about the film and then invited Pedro to speak about the soundtrack composing process.  The theater burst into applause for almost two minutes, in appreciation and validation of Pedro’s previous collaboration with Chani on Thirst for Love.  Pedro was naturally nervous, so much so that he forgot his speech at home.  Luckily he was able to quickly gather his thoughts while waiting to speak.

Minutes after this photo was taken, Pedro takes the stage to address the audience.

Minutes after this photo was taken, Pedro takes the stage to address the audience.

Pedro Addresses the Audience

“I would like to thank Chani Bas for giving me the opportunity to work in this area that I love. He asked me to make this speech about how I make the music for his short films.  We have a good relationship.  After the end of Thirst for Love, Chani asked me to create the soundtrack for Always Together.

I was inspired to write the music by reading the screenplay.  I read the screenplay, figuring out where the music should go and what kind of music was needed.  I tried new sounds because I like to create new music.  The soundtrack was completed in July, and the shooting was in August.  So Chani knew the themes as he shot the film.  He planned the scenes with the music in mind.  It was a great collaboration.”

Pedro with his director, Chani Bas.

Pedro with his director, Chani Bas.

The Short Film—Always Together

Chani returned to the stage and introduced the film.  Always Together tells the story of a family separated by divorce, where Andres, a selfish teenager, doesn´t care about his young brother, Felipe. When Felipe disappears, Andres has to face the pain and uncertainty of his brother’s fate.  After the film was over guests had an opportunity to meet and have photos taken with Chani, Pedro and the movie’s actors.

Please take a few minutes to watch the short film, Always Together, below.

Even though there are no English subtitles, the acting (and music) are so good that the language does not cause a barrier to understanding the message and meaning of the film.  The film is now circulating through international film festivals.  It has been nominated for Best Foreign Short Film in several countries.

Best Foreign Short Film nomination in Mexico.

Best Foreign Short Film nomination in Mexico.

With More to Come

In the months since the premiere of Always Together, Pedro has continued to expand his musical influence in the film industry.  He will join Chani on his next short film project, I Dedicate my Dream.  Pedro is hard at work on his first professional full-feature American film, Tempting Fate, the contract he signed last summer during my visit to Spain.  It is an amazing soundtrack.  The CD and movie will be released this summer.

There is much more in the works and some surprises in store as well, but I’ll keep you in suspense until my next post in this series on Pedro’s musical pursuits. In the meantime, check out the Tempting Fate site for more information.  Below is a video teaser for the  movie with some of Pedro’s music.  (See the right sidebar on my site for a countdown to the VIP private screening of the movie in Houston, TX on July 4th.)

If this is your first time hearing about the music of Pedro González Arbona, check out his website at pgarbona.com or “The Music” page on my site for more information about how his music was discovered.  You can support his music career by liking his Facebook page, Pedro Gonzalez Arbona, Composer.

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Updated 5/26/2014:  The Tempting Fate movie trailer was released on 3/28/2014.  It already has nearly 18,000 views.  There is also a Tempting Fate Facebook page you can like for updates.  Below is the trailer with Pedro’s soundtrack music. 38 days until it hits the big screen!

 

This post is listed on Christian Mommy Blogger/Fellowship Fridays.

Lights, Camera, Action, Part 1 ~ Making Music in Spain

Those three simple words, “lights, camera, action” are universally associated with filmmaking. Until last summer, my only role remotely associated with the theater was a bit part I was required to play in the annual musical back in junior high school.

For Pedro, the young Spanish man whose music career I help manage, those words have been part of his vocabulary and part of his dreams since he was very young.  Now, at 20 years of age, he is living his dreams.

Pedro González Arbona, professional musician and composer (Madrid, July 2013)

Pedro González Arbona, professional musician and composer (Madrid, July 2013)

Pedro’s First Short Film

When I headed to Madrid nearly six months ago, Pedro was up to his ears putting the finishing touches on the soundtrack for his first professional short film, Sed de Amor (Thirst for Love).  The premiere was held two weeks after my arrival.  Unfortunately, Pedro’s family and I were vacationing in southern Spain and couldn’t attend.  (The soundtrack is at the bottom of this post.)

Sandwiched in between sightseeing excursions and writing, my time in Madrid was spent collaborating with Pedro on his music and promotional projects to prepare for the premiere and beyond.  Together we launched his website (pgarbona.com), developed a site for his music sales, had publicity photo shoots, and worked on a Facebook marketing campaign to build interest in the film and his music.

Launching Pedro's new website.

Launching Pedro’s new website.

The Premiere

Since Pedro couldn’t attend the Thirst for Love premiere, the director, Chani Bas, asked him to create a video to introduce himself and explain his composing and music synchronization process for the film.  “Take 1.  Take 2.  Take 3,” I said as we made light of the multiple takes he had to do to get a flawless video.

Then since I couldn’t attend the premiere, Pedro gave me my own private showing of Thirst for Love.  Knowing the story, but not understanding the actors’ Spanish dialogue made it difficult to get the full movie viewer’s experience.  That didn’t stop the tears from flowing at the end of the movie though.  My tears were perfectly timed with the closing song “The Last Tear.”   Pedro’s parents joined us for the final minutes of the film, making my joy, and my tears complete.

Celebrating the Thirst for Love premiere while on vacation in Seville.

Celebrating the Thirst for Love premiere while on vacation in Seville.

More Music Collaboration

After our return from vacation, there was still much more music work to do.  Chani had enlisted Pedro to score the soundtrack for his next short film, Always Together.  Those songs filled the family home throughout my remaining days in Madrid as Pedro composed every free moment he got.  We also worked on reviewing and cataloguing Pedro’s ever growing list of compositions—about 120 at the time.

On one of our last days in Madrid, I met Chani, Pedro’s director, face to face at a local Starbucks.  It was a great opportunity to learn a bit more about the film industry, hear firsthand about the Thirst for Love premiere, and get to know each other.  Chani was already preparing for the next film project as well.  (Always Together premiered a few days ago.)

Chani Bas, Ardis A. Nelson and Pedro Gonzalez Arbona

Chani Bas, Ardis A. Nelson and Pedro Gonzalez Arbona

First American Film Project

The biggest music news of the summer though was the contract Pedro negotiated with the KevStel Group, an American production company, for his first full-feature film, Tempting Fate.  Days before we headed off to the island of Mallorca, international calls and email negotiations were flying through cyberspace.  We were rushed to complete it because once we arrived on Mallorca, internet access was extremely limited.

On Mallorca we settled into vacation mode for the remaining 2 ½ weeks of my trip surrounded by Pedro’s family and friends.  But one day while in siesta mode, I sat poolside and read the script of Tempting Fate.  I couldn’t believe my eyes as I read through lines that had a spiritual message of unconditional love, betrayal, sacrifice, and redemption.

I believe it was not a coincidence that this production company or this script landed in Pedro’s lap.  Like the prayer that moved mountains and connected Rosa and I, my prayers for Pedro’s music were again answered in heavenly ways.

Projected release date, July 2014

Projected release date, July 2014

Two Years in the Making

At this season of my life, I am often in awe of all the perfectly timed coincidences that have fallen into place between my Spanish family and me: the timing of the passing of Rosa’s and my mothers, how my trip to Spain came to fruition and its timing, and now, most assuredly, the recognition of Pedro’s musical talent beyond our friends and families.

It was two years ago this week that Pedro’s CD of original compositions, Introducing Pedro González Arbona, first went online at CD Baby, iTunes and Amazon.  What started on a whim and a nudge from God launched Pedro into a professional music and film career, and stepped him into his dreams.  It’s hard to watch these music milestones from 5,300 miles across the globe, but I am very blessed to know that God has done more than I could ever have imagined (Ephesians 3:20).

~ To read about the exciting premiere of ‘Always Together’ recently held in Madrid, check out Part 2 of this series..  To experience his music for yourself, click any of the links below to hear an original composition from the ‘Thirst for Love’ soundtrack, ©2013 Pedro González Arbona, or check out Pedro’s video page of this site.

If this is your first time hearing about the music of Pedro González Arbona, check out his website at pgarbona.com, or “The Music” page on my site for more information about how his music was discovered.  You can support his music career by liking his Facebook page, Pedro Gonzalez Arbona, Composer.

Updated 2/12/2015: The Tempting Fate soundtrack with Pedro’s music released today and is available on Amazon and iTunes. The movie will be released across Nigeria on July 17, 2015.

The Road to Spain, Update 6 ~ The Music

The last time I physically saw Pedro González Arbona we were waving each other goodbye at the security checkpoint at Seattle-Tacoma International Airport two years ago.  He arrived that summer as an aspiring composer.  He left America that day with 50 professionally recorded CDs of his original compositions, eager to share his music with friends and family in Spain.

Managing Pedro’s Music

Our relationship changed that summer, not intentionally, but it went from one of family connection (as a result of a short term exchange program, Education First) to a music partnership.  When I offered to take Pedro into the recording studio in July 2011, he started to affectionately and jokingly call me his manager.  As I caught his dream of composing movie scores, I came to take that responsibility more seriously, as did he.

Since that time, his music found a home with CD Baby, an independent music distributor, giving him an online presence on iTunes, Amazon, Spotify, and other retail music sites, and giving him worldwide exposure.  As fantastic as this may sound, online access doesn’t automatically equate to fame and fortune—although I was naturally concerned it might.

Introducing Pedro at his debut American performance, June 2011

Introducing Pedro at his debut American performance, June 2011

Carrying on our relationship across 5,300 miles has not been easy.  But like the online translator has helped bridge the distance between his mother Rosa and me, Pedro’s music has helped to connect us as well.  When Pedro left in July 2011, he had a repertoire of 18 songs; 13 of them were recorded on his CD, Introducing Pedro González Arbona.

Since then he has become quite prolific with his music, growing from simple piano melodies to fully orchestrated pieces.  Last month, he reached a major milestone by composing his 100th piece, sending each song to me via email along the way.

And Then it Happened . . .

One day out of the blue several months ago, Pedro emailed me an incredibly beautiful composition that seemed to stretch his music to a new level.  I made a mental note on that day of this shift, prayed about it, released it to God, and even wrote in my journal how it felt like his music was truly ready for the big screen.  The very next day, I received an email from Pedro that he got noticed by a Spanish film production company who was interested in hiring him to compose for a full feature film.  This was incredible news!

Pedro informed the company that I was his manager and the international communications began with the producer.  Things progressed very rapidly after that.  Pedro was offered the chance to compose for a short film to test his talent—which he passed with flying colors.  He was then offered the job to compose for the full feature film next year.

The last few months have been a whirlwind of musical commitments for Pedro and a steep learning curve for me.  I have been blown away by his beautifully orchestrated compositions for the short film.  Throughout the production process, he has demonstrated his maturity and creative genius in working with the producer and the director.  It has all paid off well for him as the trailer for the short film, “Sed de Amor” (Thirst for Love), below, was released last week.  (By the way, the song I mentioned above was the basis for the song featured in this trailer.  It really was meant for the big screen and answered prayer!)

It’s a Small World

What is so interesting to me in all of this is how the connections for this film came to fruition.  It wasn’t because the film company stumbled upon Pedro’s music.  It was through a high school friend, Chani Bas, who is the director and screenwriter for the short film.  He heard of Pedro’s musical pursuits and shared Pedro’s music site with the producers.  Pedro’s music spoke for itself.

Putting Pedro’s music online was never rooted in financial motives.  It was all about sharing Pedro’s music and getting him exposure.  We just had to be patient for the right circumstances to materialize and God’s timing.

6 DaysReunion on Spanish Soil

When I arrive in Spain in one week, I will be reunited with Pedro—no longer an aspiring composer, but a professional one, with the score of his first professional film under his belt.  The timing couldn’t be better, as we will be able to partner for his music promotion, the release of the soundtrack on July 1, and the premiere of the movie.  I’m also anxious to watch him perform the dozens of songs he sent me over the past two years.

I couldn’t be happier for Pedro.  His dreams are becoming a reality.  I fertilized the seed that was planted in my home when we met three years ago (when he first played the piano for us).  The hard work has paid off.  Now it’s time to enjoy the fruit of our labor, and thank God for the abundant blessings He has bestowed on us.

Update 12/18/2013:  To read about my music related adventures in Spain, check out “Lights, Camera, Action, Part 1.”

The Call to Speak, Part 2 – Breaking the Ice

I’m sharing my first Toastmasters speech, the icebreaker, on my blog (it’s more like an author reading at this point) as a way to introduce others to my story and hone in on my message.  It is a work in process.  Part 1 of this series is about how the speaking part of my journey started in the first place.

I know in time I will have multiple venues open up to share my story in spiritual and secular settings over the months and years to come.  The objective of this particular speech is to gain interest in my story and start building my audience as I prepare for my pilgrimage to Spain this summer and the next season of my writing.

As you read the speech, envision if you will, Pedro’s music (the young Spanish man in my story) playing in the background and synchronized with the speech.  When you have finished reading it, I’d love it if you would share your personal evaluations of it in the comments below (like my fellow Toastmasters did at the meeting).

First Meeting

Welcoming Pedro into the family, July 2010.

My First Toastmasters Speech

“My name is Ardis Nelson.  I am a wife, a mother, a writer, a blogger, and a follower of Jesus, whose life was radically transformed a few years ago after opening our home to a Spanish young man named Pedro, as part of a short term exchange program.  With Pedro’s engaging personality and eagerness to immerse himself in American culture and history, he quickly became like family.  Our final goodbyes that summer were very painful to me as we had no idea when we would ever see each other again, but we knew the door of his home was always open to my family.

Since that teary goodbye two and a half years ago, many amazing things have happened between our families.  I am finally traveling to Spain this summer to continue my writing and to speak.  I’d like to share a bit of this story with you in hopes of gaining your continued interest of its unfolding.

Shortly after Pedro returned home to Madrid in August 2010, he found out that his grandmother had brain cancer and only had a few months to live.  My mother was also terminally ill, after having suffered a major stroke, and so I started to connect with Rosa, Pedro’s mother, to offer prayer and encouragement as we both prepared for the passing of our mothers.  There was one minor problem though—neither one of us spoke the other’s native language.  But we didn’t let that stop us as we used online translators to communicate via email and bridge the 5,300 mile gap between us.

In January 2011, six months after Pedro’s departure, he unexpectedly sent our family the song “Seattle”, a piece he composed and dedicated to us.  Although he played the piano in our home that previous summer, we had no idea he composed music until we received this song.  Then within days of the receipt of this song, Pedro’s grandmother died. 

Since Pedro’s family was Catholic, I went to a local parish, lit a candle and prayed for their family.  I also prayed for my own mother who had already suffered over a year since her stroke and was living day to day with the aid of a feeding tube.  I surrendered the outcome of the timing of her death and she passed away two weeks later.

Cemetary

Laid to rest, February 2011.

As I worked on my mother’s eulogy, I started to see how I was beautifully made in my mother’s image.  Since she was mentally ill all my life and we were estranged for many years, I had never connected the dots before.  I was afraid that I would someday be labeled mentally ill like my mother and so I cut her out of my life.  I stuffed my emotions and did everything I could to disassociate myself with her.  The ramifications of these revelations were transformational for me.

On the day of my mother’s funeral, on the flight home to Seattle, I started writing about the story that connected our families.  One year later, my story “Walking My Mother Home” was accepted by a publisher and subsequently released in the compilation, Journeys to Mother Love in August 2012.

Meanwhile, Pedro started to send more of his compositions to me and we were planning for his return to Seattle that next summer.  But little did he know I started to play with the idea of taking him into the recording studio for his 18th birthday.  A few weeks before his return, when I offered him the gift of a recorded CD, he divulged a big secret.  Some of the music he performed the previous summer in our home was actually his original music—including my favorite song titled “Portman”.

Pedro’s CD, “Introducing Pedro Gonzalez Arbona”, is now available on itunes, Amazon, Spotify and other online music sites.  Surprisingly, I also now manage the music career of this young international artist.  One of his biggest dreams, to compose movie scores, became a reality last month as he was hired by a professional production company in Spain.  He has completed scoring the music to a short film and has high hopes of continuing with this company on other bigger projects.

I like to think that all of this started because God nudged me to go outside of my comfort zone and open our home to this young man.  When I did that step of obedience, God continued to open up new opportunities for us to connect and invest in each other.  I invested in Rosa at her time of need and she did in me as well.  In return, I invested in her son and his desires to share his music to a broader audience.

On June 24th, I will step on Spanish soil and meet Rosa face to face.  It is a friendship born in sorrow, nurtured in prayer and sealed in love.  As I mentioned earlier, my writing started the day of my mother’s funeral. I know it won’t be complete until I meet Rosa face to face, hear her side of the story and how her faith and family got her through it. Rosa has been learning English to facilitate our communication. I’ve been working on my next book in preparation for our meeting.  It is our gift to each other and a way to honor our mothers.

I’m looking forward to having you journey along with me as I prepare for my trip to Spain and share my story.  Thank you for the opportunity to share my story with you tonight.”

Speech EvaluationTime to Evaluate

My speech hit right on target for the 5-7 minute speech range.  I  finished by distributing business cards and a few handouts related to my blog and story.  Each Toastmaster wrote a short evaluation of each speaker’s speech.  Later on in the meeting, evaluators assigned to each speaker provided even more feedback.

So now it’s your turn.  You can’t really evaluate how well I spoke, but you can provide your feedback on the content in the comments below.  If you don’t already follow my blog, the best evaluation or feedback you could provide on this is to subscribe to email updates of my blog posts and join me on my journey to Spain and beyond.

A Tribute to Mom, Part 3 – The Music & the Musician

My mother, JoAnn, loved music and gave me a love for it as well.  Neither one of us could read music or play an instrument, but we both had large phonographic record collections (ouch, that dates me).  We also love to dance and sing, although I reserve those times for Sunday morning worship (when I can bury my voice in the crowd) or in the privacy of my own home.

When Pedro, the Spanish young man mentioned in “Walking My Mother Home”,  started playing the piano in our home, it awakened in me my buried love of the same kinds of music that my mother loved, soundtracks from films such as “The Sound of Music” and “The Sting”, to name a few.  Unbeknownst to me, Pedro was interspersing some of his own original piano compositions as well.

Phonograph record & turntable

Phonograph record & turntable

In January 2011, one month before my mother died, Pedro surprised my family by sending us a video of “Seattle”, a song he wrote and dedicated to us.  That was the first I knew of his composing.  This led to my taking Pedro into a recording studio for his 18th birthday to produce his first CD, “Introducing Pedro González Arbona“.

Pedro has become quite an accomplished and prolific composer over the past two years.  He has composed dozens of songs and his music is now available online.  (If you regularly follow my blog, this is not news to you.)  What is news though is that Pedro’s music was recently noticed by a Spanish film production company who has hired him to compose a score for a short film.

“Walking My Mother Home” Soundtrack

Since Pedro’s desire is to compose movie scores, it is only natural that he would compose music that goes along with the story between our families.  He has composed two beautiful songs, “JoAnn’s Song” and “Ardis’s Song”, which I have made into short videos.  The videos (click the links below) compliment my story, “Walking My Mother Home”, published in Journeys to Mother Love.

  • JoAnn’s Song:  The story of the three trips back home to St. Louis to see my mother.
  • Ardis’s Song:  The story of my mother’s funeral ending with my revelations and identity breakthrough.
Pedro rests at the 9-foot Steinway, The Piano Studio, Seattle, July 2011.

Pedro rests at the 9-foot Steinway, The Piano Studio, Seattle, July 2011.

Pedro’s music has become an integral part of my life since my mother died two years ago.  Not only has he written songs for me and my mother, he has also written tributes to my recently deceased father (Van’s Requiem-click link to listen) and Carmen, his grandmother (Bubu-click link to listen), who passed away a few weeks before my mother.

The Fruit of My Labor

It a tremendous gift to watch this young man’s musical talent bloom and grow.  It was fertilized in my home over two years ago.  Like investing in Rosa, Pedro’s mother, as we prepared for the passing of our mothers, I also invested in Pedro.  Both of these people investments have born great fruit.  They have transformed my heart.  And now JoAnn and Carmen are dancing to a new beat together in heaven.

Someday Pedro’s music will be on the big screen.  I’ll be there to applaud his debut with eyes beaming and tears streaming.  Until then, I’m learning to be content in receiving electronic music files of his compositions and partnering with him on his music dreams from 5,300 miles across the world.

If you enjoyed Pedro’s music, please help this aspiring young international artist build an audience and get noticed by clicking the link to like his Facebook page, “Pedro González Arbona”, or share a comment below about his music or the videos.

Name That Tune

Ever since we welcomed Pedro into our home two summers ago, his music has become a part of my life.  For the first summer, I watched and listened to him play movie soundtracks on our old upright piano.  Before that summer, the piano was reserved solely for my oldest son, Evan, who for years only played classical pieces from great composers like Beethoven, Bach, Chopin and Tchaikovsky.  Both of these young men were classically trained, yet their music was strikingly different and influenced by the environment in which they grew up.

A Tale of Two Musicians

Pedro at the Nelson family piano, July 2010

Pedro at the Nelson family piano, July 2010

From an early age Pedro fell in love with the cinema, going to movies with his parents and grandparents.  For his first communion he received books from his grandparents about American and European cinema.  He was drawn to the chapters about the composers and started paying attention to how music influenced movies.  When Pedro was eight, his parents discovered he had an ear for music and he was enrolled in a conservatory in Spain.

Across the globe in Seattle, Evan’s interest in music was being fostered by his parents and trips to the symphony with his father.  Evan was enrolled in private piano lessons when he was six years old. With his aptitude for math and complex equations, he was stretched by his teachers to remarkable levels in mastering works like “Polichinelle” by Rachmaninoff.  At the pinnacle of his musical career, we produced two CDs of Evan’s music and he held a fundraiser concert where he performed eight classical pieces.

Evan's final year of music, 2010

Evan’s final year of music, 2010

Evan’s days of playing the piano were winding down when Pedro and his music entered our lives.  It wasn’t until months after Pedro left that we even found out some of the pieces he performed were his own compositions.  All of this led to producing Pedro’s debut CD, Introducing Pedro Gonzalez Arbona, the following summer. (Pedro’s music is available on itunes, Amazon, Spotify, CD Baby and other online music sites.)

The Soundtrack of My Life

Ever since the receipt of “Seattle”, a song Pedro composed and dedicated to our family, Pedro has been sending me his songs—over 30 received to date.  What is most unique about this relationship is how it often feels like I have a soundtrack that goes along with my life—at least this season of it.

Last year for my birthday, Pedro composed a song for me, “Ardis’s Song”.  It was one of the best gifts I’d ever received.  When my father passed away this summer, Pedro composed “Van’s Requiem” which we played at the memorial service. Then when “Journeys to Mother Love” was released, he surprised me with a song for the Open House (The story really does have a soundtrack that goes with it.  I send that to anyone who buys “Journeys to Mother Love” through me or my site.)

Name That Tune

When my birthday arrived last month, I tried not to expect another song, yet Pedro did manage to surprise me again! Unlike last year’s song, Pedro gave me the privilege to name this one.  I’ve been pondering a name for a few weeks.  With my birthday falling on Thanksgiving, I wanted this song and this birthday to stand out from my other birthdays.

Name That TuneSo my new song, “Day of Thanks”, was born from a friendship that transcends the 5,300 miles across the world.  It is testament to how grateful I am for my Spanish connection and so many other blessings in my life.  As a simple reminder of this gift, the ringtone on my cell phone now plays the opening notes to my new favorite song.

Music has a way of touching us at the heart level and lifting our spirits when we are down.  It sets a tone in our movies, in our homes or wherever we listen to it.  With the gift of Pedro’s music in my life, I am never far from my Spanish son or the memories of the good times we have shared.

I have already named my song, but I want to hear what you think.  I encourage you to listen to “Day of Thanks” (click song title) and tell me what you would name this song if you received it.  What feelings or scenes does it evoke in you?  Enjoy this lovely composition and like the American game show from the 1950’s, “Name That Tune” in the comments below. (Please return back to this page to post your comment.)

Van’s Requiem

It’s been a year and half since I found out that Pedro, the Spanish young man whom we hosted as an exchange student in our home was a composer.  Since that time, his music has become an integral part of my life, including the culmination of recording his music and putting it online.

A few days after my father died, I received an email from Pedro with “Van’s Requiem” attached.  The email merely said, “You know what I can do right now from Spain, is composing.”  I let the tears flow.

A requiem is a musical composition associated with death and mourning.  When I played “Van’s Requiem” for my step-mother, she told me I couldn’t keep this song to myself and requested that I play it  at the memorial service.  She also said my father would’ve liked it.  And I agree.

My father enjoyed music.  His musical interest started in grade school when he was taught to play the violin by a nun.  He didn’t like the lessons much or her instruction, but he did love music.  He soon took to learning other instruments on his own.  He could play the string bass, clarinet, saxophone, accordion and the organ.  He also had his own band, Bud & His Buddies, for a few years in the late 1930’s to earn some extra money after high school.

Dad passed that love of music down to his family.  My older brother played Dad’s saxophone in school as well as some of Van’s grandchildren, including both of my sons.  For my sons anyway, the saxophone was their secondary instrument.  It was a small way that they got to connect with their grandfather.

I took a few piano lessons in college, but by that time, it was just too difficult for me.  I turned my love for music into an easier way to enjoy it—by working at the college radio station as a disc jockey and eventually becoming the Music Director.  It was a far cry from reading sheet music or performing in recitals, but fun nonetheless.

When Dad met Pedro last summer, they had an impromptu music gathering at the piano and organ.  Pedro played some of his own compositions and attempted to play whatever sheet music my father put in front of him.   It was entertaining to watch and even more precious to me when I watched the videos after my father recently passed away.

The day after Dad passed away, I sent an email to Pedro to tell him the sad news.  I was shocked to notice that they met exactly one year ago—July 10, 2011.  It was hard to watch those videos.  My father’s health deteriorated a great deal since then, but it didn’t seem as noticeable until I watched those videos.

Dad & Pedro doing a sound-check on the family organ, 7/10/11.

I am incredibly glad I recorded that time between Pedro and my father.  One of the songs Dad asked Pedro to play was “The Old Rugged Cross”.  Unfortunately Pedro didn’t know that song.  One year later, I found out that song was Dad’s favorite hymn.  We closed his memorial service with it.

The service was opened with “Van’s Requiem.” I know that on that day one year ago when this relationship was developed, the basis for “Van’s Requiem” was also being developed.  The ripple effect of that encounter had eternal consequences.  I’m sure my father was tapping his toes to his own personal song.

“Van’s Requiem” © 2012 Pedro González Arbona

Indeed music is an integral part of my life.  It has created memories that are priceless to me.  And along the way, it has grown my faith too.

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    I'm an author, writer, speaker, mentor & mom. I've struggled to find my voice all my life as I lived in the shadows of a mother with mental illness. Thankfully that was not the legacy that she handed down to me. It took a lot of recovery and deep healing work to rise above it.

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